金暻铉：是的，我必须非常谨慎地对待这个问题。我使用了霍米·巴巴的模型：你确实是在模仿那些占据主导地位的力量，无论是主导语言还是某种强势风格，但模仿者与被模仿者之间永远会存在一个间隙（gap）。我称之为“相似，但不完全相同”（almost the same, but not quite）。这种细微的差别是从哪里来的呢？它来自于你在尝试重新创造时的某种“游戏性”——无论是在语言、节奏、音乐还是叙事视角上。虽然你的底子是基于“主人的风格”，但只要你足够聪明，你就不会只产出一个100%的复刻品。你可能复制了90%或95%，但永远留有那么一点空间去进行创意或创新。
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。爱思助手下载最新版本对此有专业解读
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This little oversight can be exploited: Say mario wants to collect a star to finish a level. He needs to position himself somewhat close to the star, but only his position after modulo 65536 is used for collision detection. We can use another exploit to make Mario gain massive velocity and the physics engine will allow him to clip through walls with it. However, with great velocity comes the price of leaving the map (going out of bounds). Therefor, we use the module operation to still force a collision detection with the star.