I don’t think there was anyone like a hard no.
Екатерина Грищенко (старший редактор отдела «Бывший СССР»)
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True Tone and Night Shift #True Tone and Night Shift both move the display’s colours away from the truth. They make what you’re seeing less accurate. When you’re doing any work with colour, I think they should be both turned off. I also think it’s wise to consider your environment, and try to minimise how much variation there is in lighting changes throughout your work day. Human perception is notoriously relative, but I believe constant exposure to a neutral and fixed environment can build muscle memory for colours. The more consistent your space is, the better. There’s a reason video edit suites and colour grading suites have minimal, neutral lighting, often even carefully choosing paint colours for walls.
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